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Weight Watchers - TV

Saatchi & Saatchi asked us to help find the right artist who could work with the brand in their massive New Year's Eve launch, which uses real members of Weight Watchers, no actors. Our research found Alesha Dixon as a perfect choice. Contacts made, the rest is in this 3 minute long commercial.

Mazda Ident "Comedy Rocks" - TV

Commissioned by The Outfit
A rocking out TV Ident for Mazda's sponsorship of new ITV progrmme: "Comedy Rocks"

The Royal British Legion - TV

The Gate commissioned us to arrange a solo violin and string quartet version of Holst's Jolity for this Royal British Legion TV commercial.

Highcross - Regional TV

Soft vocals and a dreamy backing track was the brief for this film for Highcross.

GE - All Music Global Campaign

M&C Saatchi commissioned us to compose this upbeat piece for General Electric's international campaign "Dawn of a New Day".

Aston Martin - Online

The agency RBH's brief for the music for this film was to evoke a feeling of "Gliding through clouds".

 

AUDIOfield - Showreel

Our most current showreel, which also includes some alternative films from TV/online/other.

AUDIOfield - Classic Reel

All the music on this reel has been recorded, produced and arranged by AUDIOfield. John Lee Hooker’s ‘Boom Boom’ was remixed at Abbey Road and Elvis Presley’s ‘The Wonder of You’ was recorded with a soundalike vocalist.

AUDIOfield - Other Productions

This reel features a selection of our work with BANDS/ARTISTS. All the tracks on here were produced by Audiofield in our own studios.

AUDIOFIELD can cover ALL your music needs, including:

MUSIC SUPERVISION:

With our music experience in advertising, corporate identity, branding and the music biz, we can help you decide on what type of tracks you need, and then go make it happen. As an alternative to the usual way of working with music supervisors, AUDIOFIELD now offer AMP - a brand new service.…

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With over 2 decades experience in advertising, and 30 years in the music business as a whole, we are able to help you in your quest for the right piece of music for your production. Our service can include up to 2 levels of involvement depending on your needs:

  1. Attending first stage client briefs with you to enable us to come up with a soundboard of musical suggestions then breaking that down into track possibilities.
  2. Being briefed by you as to your suggestions, then breaking that down into track possibilities.
  3. For either level, we would then co-ordinate the production and/or arrange the appropriate licensing for any existing tracks/songs, and work to negotiate licensing deals that come in on budget.
PRODUCTION:

Compose original tracks, arrange existing tracks/pieces, soundalikes, plus compose SONGS to a brief (ie. the 'real' thing - with or without lyrics). As an alternative to the usual way of working with music production companies, AUDIOFIELD now offer AMP - a brand new service.…

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Audiofield comprises of experienced and successful composers and producers, whose credentials include national and international Music Chart successes, involvement on multi-platinum albums and award winning commercials for TV.

We can write, arrange and produce any piece of music, from quirky thigh slapping, spoon tapping jingles to sweeping orchestral arrangements – and have done both, plus something of pretty much everything in between!

As our founding team are songwriters and musicians as well, we are able to create bespoke SONGS but with the difference being, it will be written to your brief (something signed artists really don’t do). We also have a wide roster of bands/artists and are also able to work with them for that authentic BAND sound/feel.

DEMOS
We are more than happy to do demos, and as we work out of our own studios, it won’t cost you the earth. We can get authentic orchestrated arrangements out-of-a-box to keep demo budgets low and we can also bring in our band/artist chums on song-style tracks.

SYNC MUSIC:

Source suitable existing tracks and negotiating sync and licensing permissions and fees.
As an alternative to the usual way of working with music sync companies, AUDIOFIELD now offer AMP - a brand new service.…

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Industry relationships? As young whippersnappers, after leaving full time education, our two founding members, Adrienne and Phil, started their careers in the music business as signed artists, where they began to forge their relationships with industry moguls. And if they weren’t moguls then – if they’re still working in ‘the biz’ – they are now!

Alongside their work in advertising (see ‘About Us’ for more personal info on these two), they continued to write for and produce, new, emerging and signed artists, gaining UK and international chart successes.

With those industry relationships in tow, AUDIOFIELD now offer a full sync music service, covering everything from sourcing, negotiating and arranging licensing to track editing (to picture or other media) and approvals.

SONIC BRANDING:

We understand the importance of music/sound in brand awareness, and can help you encapsulate and communicate brand identities through the power of music. This could be as simple as a 4 note nemonic as with Intel – or a memorable sting à la “I’m Lovin’ It” – McDonalds.

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No, it’s not a hot iron on a small blue hedgehog – sonic branding is the communication of brand values and its distinguishing characteristics through sound and/or music – your sonic identity – and takes advantage of the powerful memory sense of sound.

Brands: You know your job, you know all about branding, marketing and raising awareness, so we aren’t going to try and teach your grandmother to suck eggs…. (do people still use that expression?) but we would like to reinforce our understanding and passion for the power of the audio side of the process through the following rationale:

Our ‘traditional’ 5 senses are powerful tools of perception in any marketing:

Sight – Sound – Touch – Smell – Taste

We all know they are all relevant to the success of a brand, some more than others depending on the product, but with advertising or promotional activities, the most relevant are sight and sound.

On it’s own music and sound can evoke strong emotions – combined with the visual, we understand how it can be a very, very potent tool.

In fact from the original brief, we can help you find the solution to any of your music requirements - even if you're not quite sure what they are!

@

RUNWAY STUDIO

Tel:

+44(0) 1296 655 880

Email:

ross@audiofield.co.uk






Glossary of terms

Music Supervision

Short: A music supervisor handles the process of helping choose, negotiate, and incorporate pieces of music into visual media

Long: A music supervisor is the person in charge of placing music in films, TV shows, advertising, film and often even video games. Clients approach music supervisors with an idea of what kind of music they need for their project (or sometimes even specific ideas of songs they want), and the music supervisor then finds the appropriate music (whether existing tracks or arranging for specially composed pieces) and acts as a liaison between their client and the rights holders of the music. They work to arrange the appropriate licensing for the songs, and work to negotiate licensing deals that come in on budget for their clients. [About.com]

Back to MUSIC SUPERVISION

Sync Licensing

Short: A music sync license is needed for any existing piece of music to be used on any visual work.

Long: A music synchronization license - or sync license, for short - is a music license that allows the license holder to "sync" music to some kind of media output such as TV shows and movies, but any kind of visual paired with sound requires a sync license. A sync license gives you the right to use a song and sync it with a visual. This, with the permission of the rights owner, also allows you to re-record that song for use in your project, but if you want to use a specific version of the song by a specific artist, you also need to get a master recording license (see below). Typically, a sync license is obtained from a music publisher while the master recording license is obtained by from the record label or owner of the master. . [About.com]

A master license gives the license holder the right to use a recorded piece of music in a media project, often a film, TV show, commercial or some other visual creation, though the license does extend to audio projects as well. A master license is obtained from the person who owns the recording (in other words, owns the master). Often master licenses are obtained from record labels. [About.com]

Back to SYNC LICENSING

Productions

Short: We can re-record existing tracks or write arrange and produce you a new bespoke track to your brief.

A bit longer: Commissioned music is new music written for use in a specific production (usually in a film or video production) - as opposed to "existing music" which is music that has previously been released eg on a CD.

Back to PRODUCTIONS

Sonic branding

Short: Sonic branding (also known as audio branding, sound branding, acoustic branding or sonic mnemonics) is the use of sound to reinforce brand identity.

Long: Sound branding is increasingly becoming a vehicle for conveying a memorable message to targeted consumers, taking advantage of the powerful memory sense of sound. It encompasses many other tactics intended to convey organizational or product identity (who an organization is and what it stands for); enhance consumers' experience of a product or service; or extend an organization's relationship with its audience.

Creating a brand experience using sound is also within the area of sound branding. As brands now look to engage with their customers on a much deeper level, the opportunities for creating a sound branding experience that conveys a brand essence and soul is possible.

A sonic identity (or audio logo, sonic logo or sound logo) is usually a short distinctive melody or other sequence of sound, mostly positioned at the beginning or ending of a commercial. It can be seen as the acoustic equivalent of a visual logo. Often a combination of both types of logo is used to enforce the recognition of a brand. But it can also be a longer piece of music, one that evokes the emotion the brand want their customers to feel; excitement, safe, secure, love, warmth, etc. etc. and this may be used as the brand’s soundtrack across various platforms, from commercials or corporate events to on-hold music or online loops.

The sonic identity leads to learning effects on consumer's perception of a certain product. A melody is the most memorable sequence of sound, since, when a melody starts, the human brain automatically expects the ending. [Includes information adapted from Wikipedia.org]

Back to SONIC BRANDING


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